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    Home»Entertainment»Movies & TV»Disney Job Cuts 2025: Out With The Old, In With The New
    Movies & TV

    Disney Job Cuts 2025: Out With The Old, In With The New

    Shana MohamedBy Shana Mohamed3 June 2025No Comments4 Mins Read
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    Credit: Deadline

    The Walt Disney Company, one of the most iconic names in global entertainment, is laying off hundreds of employees as part of a broader effort to streamline operations and reduce costs. The job cuts are affecting several divisions, including television, film production, and streaming, reflecting deeper structural changes within the media giant and the industry at large reported New York Post

    A Familiar Story in a Shifting Landscape

    The layoffs are not entirely unexpected. Over the past two years, Disney has undergone a sweeping transformation under CEO Bob Iger, who returned to the helm in 2022 to navigate turbulent economic waters and reposition the company for long-term profitability. After initially cutting 7,000 jobs in 2023, Disney signalled that more changes were likely, especially in areas weighed down by legacy models or underperforming units.

    This latest round, reportedly impacting several hundred positions, underscores Disney’s commitment to reshaping its operations in the face of evolving consumer behaviour, rising content costs, and intensifying competition in the streaming sector.

    Disney Entertainment and TV Divisions Affected

    According to internal sources and media reports, the layoffs are concentrated in Disney Entertainment and its television divisions. The cuts hit both creative and operational roles, including marketing, distribution, and development. ABC, FX, and other TV units under Disney’s umbrella have reportedly seen significant staff reductions.

    The company has not disclosed the exact number of layoffs but emphasised that the move is part of its ongoing strategy to reduce redundancies and improve efficiency.

    Streaming at the Center of Strategy — and Strain

    At the heart of Disney’s transformation lies its streaming ambition. With Disney+, Hulu, and ESPN+ forming the digital core of its direct-to-consumer offerings, the company has aggressively invested in original content and global expansion. But the streaming business, once seen as the future of entertainment, has proven expensive and volatile.

    Although Disney+ added millions of subscribers in the past year, profitability remains elusive. The company has since shifted its focus from subscriber growth to sustainability, trimming content budgets and re-evaluating its programming mix. These latest layoffs are partly a reflection of that new calculus.

    An Industry-Wide Reckoning

    Disney’s moves mirror a broader reckoning across Hollywood. Warner Bros. Discovery, Netflix, Amazon, and Paramount Global have all enacted layoffs or restructured departments as they grapple with the post-pandemic slump, changing viewer habits, and pressure from Wall Street to deliver profits.

    The golden age of streaming, once driven by a “growth at all costs” mindset, is giving way to a new era of consolidation, cautious spending, and strategic realignment.

    What’s Next for Disney?

    While painful, these job cuts may be a necessary step for Disney to maintain its competitive edge and future-proof its business. The company continues to bet heavily on its core franchises like Marvel, Star Wars and Pixar, while also expanding its international parks and exploring new monetisation avenues, including licensing and ad-supported streaming tiers.

    Still, the human cost is undeniable. For those affected, the layoffs represent not just the end of a job, but the end of a chapter in a company long celebrated for its creativity and magic.

    As Disney navigates its next act, the challenge will be balancing financial discipline with the imaginative spirit that made it a household name. And in an industry built on dreams, that balance may be harder than ever to find.

    For more on Movies & TV read here

    After 28 years in corporate life, I swapped spreadsheets for screenplays and now write movie reviews and celebrity articles for Geekhub. It’s been a year of creative freedom, storytelling, and loving what I do—plus the occasional dramatic reaction to plot twists. No more meetings, just movies—and I wouldn’t have it any other way.

    After 28 years in corporate life, I swapped spreadsheets for screenplays and now write movie reviews and celebrity articles for Geekhub. It’s been a year of creative freedom, storytelling, and loving what I do—plus the occasional dramatic reaction to plot twists. No more meetings, just movies—and I wouldn’t have it any other way.

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    Shana Mohamed

    After 28 years in corporate life, I swapped spreadsheets for screenplays and now write movie reviews and celebrity articles for Geekhub. It’s been a year of creative freedom, storytelling, and loving what I do—plus the occasional dramatic reaction to plot twists. No more meetings, just movies—and I wouldn’t have it any other way.

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