Spider-Man: Brand New Day has crossed $2 billion, raising one big question: if superhero fatigue is real, why do audiences keep coming back for more?
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Meghan Markle may return to acting years after leaving Suits, but can audiences see the actress again instead of the Duchess and everything that followed?
James Franco is going vertical as Hollywood embraces microdramas, showing how the smartphone could reshape the way stories are made and watched.
Val Kilmer will return to the screen through AI, raising a difficult question for Hollywood: should an actor’s career continue long after their death?
The Devil Wears Prada 2 is boosting Milan tourism, proving cinema doesn’t only influence what we wear. It can influence where we travel next.
Ted Lasso Season 4 is breaking Apple TV records, but can the beloved series recapture the magic that made millions of viewers believe in it again?
AI-generated videos of Tom Cruise, Brad Pitt and famous Hollywood characters sparked a major backlash. Now Seedance 2.5 is blocking celebrity deepfakes, but the debate over AI and consent is far from over.
The 32nd Japanese Film Festival is bringing four free screenings to Ster-Kinekor Rosebank Nouveau from 13 to 16 August, with Japanese drama, comedy and animation on the programme.
Disney’s latest partnership with TikTok isn’t just another business deal. It’s a reflection of how dramatically the way we discover movies and television has changed.
Spider-Man: Brand New Day has become the biggest opening weekend release in South African cinema history, smashing local box office records while Ster-Kinekor reported sold-out screenings across the country.